︎︎︎ íris is a graphic project that 
was built based on the analysis 
of three films. The Virgin Suicides (1999) by American director 
Sofia Coppola, Todo sobre 
Mi Madre (1999) by Spanish director Pedro Almodóvar, 
and Le Fabuleux Destin d'Amélie 
Poulain (2001) by French 
director Jean-Pierre Jeunet.

After the analysis, the experiment
 took the form of a zine, which enables to tell short narratives, emphasizing the visual work.

This project was influenced by Dada and Pop art movements, containing paintings experiments using acrylic ink and plastic, food photographs with permanent marker interventions and hand 
cut collages with watercolor ink interventions.

The zine, which transform into 
a poster, was inspired by the aesthetic and narrative analysis of the films, becoming a creative foundation for my own visual language. The project tells íris’ story: a mysterious, 
insecure, introspective and 
at the same time sensual, insurgent and courageous woman. íris is a reflection 
of the main characters in the movies, but also, its a reflection
of women in the beginning of 
the twenty-first century.

︎︎︎ All íris’ pieces were printed 
in Risograph, a print technique 
that values its flaws and unique colored overlays, the perfect match for this project.